hot weather around autumnal equinox

having students who stay late after class
or who come to work in the studio 
on other days
makes me really happy.
 book arts does that.
 at home i've had a second pot of black walnut
on the stove for several days,
dyeing up some cotton tubular yarn
and deep ,dark, delicious silk.
 drying quickly in the heat

and then there's this silk
 i love making small sample sheets
 and i bought a copy of this catalog
which includes india's work.
 and all of the linen suit paper is pulled, pressed, dried,
some of it pigmented,
shown here in the last pile of blotters and books.
 and here are some lake superior agates
some have eyes
 lace
and lanscapes inside
 the flax suit, linen rag papers
natural, yellow ochre, st lawrence riverside woods earth
 here they all are
a big harvest from a blazer and pants
not counted, 
not my habit to count
 and here's a gift 
that i've taken apart in preparation for spinning
 details like glued on tiny notes
sort of post-it notes (two of them)
and a paper thread sewing up the signature



 one page rehabbed by gluing on a new paper.
a sort of white out.
 not throwing or xing out
 taking apart a book, even a simple account book, 
is extremely instructive.
it's a lovely gift from a friend
who understands my love of these old books
which i use for kami-ito making.
it was 85 degrees here, 
in town it was 87.
predicted to be hotter yet tomorrow.
ugh.

a gift of summer in fall

i have continued making paper with hemp and linen and earth pigments. 
managing drying at home can be tedious
using blotters and weights helps, but oh for a dry box!
these are hemp (the indigo) and hemp plus linen (the pale with threads) 
and i like their strength and presence.
making small sheets 
(about 5 x 8 inches) 
gives me a chance to really enjoy these slow draining pulps
without pulling out my hair in waiting frustration.
which is what i do when i move to larger sheets.
sunday i made 12 x 14 size, 
not large, 
but 
oh
so
slow.

meanwhile i decided i would buy 
a heavier jenkins turkish drop spindle
for kami-ito making.
it's a pretty thing.
and the next photo is a bit humbling, but...
you need to see and understand the mistakes which are signposts of learning 
or re-learning.
because i have to practice skills i haven't used for years.
(this reminds me of driving standard again after years of automatic.)
but when you scrutinize less
you can see some interesting things here:
all recycled book except the thread.
book cloth was gifted.
pages were failed silkscreen prints
foraged from the trash can at school.
board recycled from another use.
and it was a way to stretch myself:
lots of sewing
four needles
estimating thread lengths
gluing the bookcloth
guling the endsheets
double or not the attachments to boards
pagination: how to keep the green, blue, yellow, and white interesting
so you want to turn the pages.
i like setting up challenges for myself.
and learning that i have to keep that sewing pattern
right so the book is not an embarrassment.
yesterday i was stunned by this
and this
we are having such warm weather
that we can have windows wide open at night
and it's sunny and so different to have this wonderful time.