waiting summer

paper arc of safety
the beautiful north country wasn't really waiting for me,
though it seemed like it was.
instead, it was just doing what it does so well,
being beautiful.
being, now, summer.
deep in july and hot and dry and growing.
i went for a visit to toronto last week.
to see, amongst other things,
the magic feather cloth
friends wendy, hiroko, and dorothy;
 gifts were exchanged,
gratitude.
even joy, perhaps?
 these amazing women came 
to have a most entertaining lunch at the gardiner museum
and rich conversation after.
to be IN the city
and IN refuge IN the city.
my shifu thinking met up with wood worked beautifully
(below in some iphone play)
 there was also a treat for me
the magic feather cloth
briefly installed
by val, 
who left me instructions:
 i didn't mess with the cave,
only 
touched the cloth.
 followed a featherstone path
 to find the grief book 
(velma's book of grief
my shifu and handmade paper book).
doing its job.
 there were many instructions to attend to
and i have a new last name.
and i am waiting
for 
poem.
(val loves india, too!)
sometimes wendy's kids write poems,
(my grampians texture students remember me reading one to them)
val wrote,
thank you val, 
i love reading your words!
these words
 carried me to the textile museum
to see the works of hands
and i had to sit at this old leclerc
and would have wound it forward, gone to work weaving,
but the yarn was tight 
woven right up to the beater
kids delighted, but instead i talked about how this one was prepared
for patterning.
my feet played treadle dancing and my hands
wanted to wind warp formard.
these mirror pieces came home with me.
from sartaj's shop kinna sohna
and this scarf
of a million running stitches.

and now, back home.
all is well.
the soil is pretty dry, the birds still singing most babies fledged.
there was a medium sized four-legged
out last night at the new place.
bobcat? coyote? fox?
i was above, moonlit, a brief movement through the light
the one approached the porch,
a roof and many feet in the way.
i think a bobcat, but this morning, nothing to give that one away,
not even a scent for my uneducated nose.




my city time 
above
my country time
below


the gift of "black caps" 
these black raspberries had gone a little too far
in the fridge
while i was in toronto.
so i made a rich rich ink
thinking of my son ian and his friend nate
who made some once and left it
in the fridge for years.
 and ants got in 
and into the raisins
the honey
the sugar
and cornstarch.
but mostly the honeycombs.
 a huge cleaning ensued
including heat and beeswax and cloth and honey and dead ants.
even a dead honeybee.
 (ant trap added for a brief time)
because i lost quite a bit.
up front and center:
soma chocolate from toronto
wattle seed from australia.
delicious!
and quite a bit of gelatin
for sizing paper.
ian and hannnah will see this cupboard
and be shocked by the tidiness!

toad in the hole and other miracles

the shifu workshop
working with drop spindles
using totally new skill sets
comes down to twisting a spiral
controlling that spiral enough to make a thread
thread to hold together
but not tight enough to break apart or snap.
my students 
every one
got it.
emma, 
extraordinary assistant,
was always there when i needed her,
and one day she dressed
 to match our markmaking
or
the marks made their marks matching emma.
 we used some leaves of indigo 
and 
some spent day lily blossoms
thoughtfully 
provided by emma
 to make some marks, too
what happens in a five day workshop is that
you really get to know each other and
a level of trust and adventure overcomes all.
that happened with my other summer art institute teacher
who was the best housemate ever.
nancy and i went to bed early one night, 
and my students, int he studio under us,
heard us roaring with laughter a little later than the 8:30 to bed attempted time.
(grin)
 our indigo dipped lokta skeins
dried on the garden sculpture
the indigo vat prepped 
and left for us
as well as japanese indigo
planted for us to share
all prepped by chris petrone
who has worked at wsw
for 10 (or so) years.
  a clothesline in the papermill
held marks on kozo, lokta, and flax 
made with
 osage orange, madder, bengara, indigo
and black walnut
taken from the pail of aged brew in my mill
(called wake robin)
 kate searching her stash
 i climbed the outside porch stairs
and placed my hand on a little granite stone sitting on the railing...
which was surprisingly soft
disappearing quickly
into emptiness!
 there was a moment of weirdness
and then i looked closer.
there was a fantastic toad
who'd found a place to hunt
sunbathe
 and surprise the humans around the place
 and 
 looking up from ms. toad
i found the back of an ear
melissa has been here...
and ms. toad was photographed many times
 walking at wsw was always a treat (except for mosquitos)
the path had mountain bikers and an equestrian
trotting in shorts
(yikes)
 these were amazing relics from the days
when this whole area
made the cement for 
new york city
i drove home on friday afternoon
in order to beat a morning of thunderstorms
(big rain on busy roads is a bad combination)
and found myself plenty hydrated
and using public outhouses
called, in the proper old adirondack towns,
pit privy
 it was a bit later than this
and there really was no light show, 
only clouds and muzzle
but i felt like the joy here was appropriate.
oh, 
and here
at the place becoming home,
not connected to the plumbing yet,
we are nearing kitchen.
my cup is full
indeed!